Lost Home


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The wind has broken down a couple of times
resting on my back
giving me solace
when in fact she needs it more than me
wind, a carrier of good times
doused with the fragrance of a lover's kiss
or soaked in the ecstasy of the first night
in the arms of the beloved
sometimes gets heavy-hearted
soaked by the mother’s tears
They fall incessantly
and dabs her unknowingly
she tells me,
she cares
as she perches from one heavy heart to another
laced with the message of love
a tone of melancholy
in the moments which seem to wither
I too have a heart which feels pain, she says
it breaks her heart to see the last leaf
leaving the arms of that mighty oak
Giggling through the trees
her ephemeral presence in the forest
she is there but she doesn't belong
a feeling of detachment.
she carries remorsefully in her heart
lost in her thoughts
Wind is apologetic at times
like a ghost
sifting through the dead leaves
trying to find her lost home.


Megha Sood lives in Jersey City, New Jersey. She is a contributing author at GoDogGO Cafe, Candles Online, Free Verse Revolution, Whisper and the Roar, Poets Corner and contributing editor at Ariel Chart.
Her 290+ works have been featured in 521 Magazine #Sideshow, Oddball, Pangolin review, Fourth and Sycamore, Paragon Press, Royal Rose, Visitant Lit, Quail Bell, Modern Literature, Visual Verse, Dime show review, Nightingale and Sparrow, Piker Press and many more. Her works have been anthologized in  “We will not be silenced” by Indie Blu(e) Publishing, (“All the Lonely people”, Blank Paper Press) and upcoming in 12 other anthologies by US, Australian and Canadian Press. Her poem “Survivor” was selected for the “Survival is Insufficient” series by the Jersey City Writers as part of the event sponsored by the National Endowment of Arts.

She recently won the 1st prize in NAMI NJ Dara Axelrod Mental Health Poetry contest. She blogs at https://meghasworldsite.wordpress.com

A friend I never Knew



A friend I

Never knew,

The body of

Mine in




Sadness as I’ve


A torture


From the


Antics of

False clowns

Marching with

Black balloons

On shadowy



Something in

A restless

Mirage as


Kept away

From my



Passing through

An inner


Gone numb,

A leaky light



Heedless abandon,

Night oozing in


The mind’s fold.

Katherine Robbins Karr

Katherine Robbins Karr grew up in a small sleepy town in Northern NJ where
people don’t dream of becoming artists. She is a promotional model with a candy
cigarette girl company in SF, a rock n roll fashion seller online, a musician/singer in
a duo, and a poet with a degree in Creative Writing from Mills College. Katherine
lives in SF with her partner Haji and dog Aly.



The Spiral Graveyard

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Sprawling in tiny,
The graveyard behind my house,
Is a spiral graveyard with
Hundreds of tomb stone,
Etched with emotions,
Hidden inside the lunar light.

The tombstone carved
Out of their regret,
Shines in turbulent thunder,
When words fall splattering
On the stones, caressing their hips,
Leading to some past ecstasy.

I have kept every drop off,
Their lust into the coffins,
Hidden behind the broken mirrors
The pieces stinging my translucent skin,
Mending a fragrance
Of some distant memory.

People come and people die
Into my house,
Upfront the graveyard,
Where lilies would bloom
In the center,
A place so untouched,
Where weeds out of their bones,

Never killed those hideous beauties.

Since time immemorial,
The seasons have trespassed my lilies,
Until today, when you plucked them out.

Now from my house,
I can see your large gravestone,
Or would I rather say your center stone?
Where forces of mystical love,
Maxed out into the hollowness
Of this constricted spiral.

My words have failed to,
Nourish your parched nails,
Driven into the coffins
I’ve buried myself you,
Withering in the hollowness
Of our mystical love,
Where lust, ecstasy has never
Run past your eyes,
Where our bodies have
Decayed into one,
Where the ice has
Melted on our lips,
Making our heart frozen into love,
Until the day you plucked the lilies,
Until the day you stole my home.

Now I live in a broken shelter,
Where thunderous clouds of,
Melancholy, rip me inside out
Which scares me beyond fear
Where ground beneath my feet
Is still drenched in blood.


Amartya Pattanayak

He is a worshipper of abstract writings. The voices inside him move through shards and pieces of drunken emotions, sober with metaphors. And he hopes to create a shift in perspective in this vivid world.

Cannibals Of love

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Darling, you look like
you’ve never washed the hair
of someone
who hurt you
I’ve always been
a Good Samaritan
when it comes to
aiding strangers
but I can’t go on
pretending I’m doing this
for you
the airport lies abandoned
as I check in my luggage
air sealed hearts
and finger food
we’re cannibals of love
eating farewells
until our next tragedy
takes flight



Henna is a novelist and a poet from Finland, interested in surrealism, science fiction and making people around her uncomfortable. She  blogs on WordPress as HJD writes. Visit her there.

Head, Island, time and wave


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It is here we keep hands.

Can you squash the honeybees

on this table?

My head bronzes the idea of faking islands,

for our home. To save

it. My head is the sun, islands;

a wave.

I hold your head and move it.

to the sight of dwellers.

I feel close to an idea I don’t hold.

A persimmon seems orange

from our reeded home.

from here.

I remember walking away in the middle of

the supper.

And watch you all from the attic’s floorboard.

There’s a hole, you don’t know of.

You smell of a marsh. The sweat filled up in the

depression of your collarbone is a part of something

bigger. You break it. It does not exist. Now.

But one knows it had been,

there. You stick.

You should lose an arm

and I, an eye.

I think.

To know what other ways,


To wave and watch.

My mother after

an Eye operation

told me

she would have loved to see everything.

before losing sight for an hour.

An obvious fear of incapabilities.

I have it. I know you have it.

You do not have to hurtle away.

You pack mangoes. The green mangoes.


you know it takes four days to reach back.

The woman knows you’d be home.

The wind is softer.

Dwellers stop

to dwell.

You travel and reach home.

The water in your belly hurts when you sleep

facing floor. Everything about leaving our place

would hurt, I knew.

For a month. Or four, maybe?

Not any longer. It shouldn’t be.

You work and live good.

My head bronzed the picture in mind;

One I imagine you to have become.

by now.

Good, in every way.

I write. I need to think of you.

You don’t have to think of


You couldn’t squash the honeybees.

You loved them

and you loved your skin.

My island isreal. Your city too.

very different.


By the time

We ate the sun and tried to become.

Everything. Anything, we could.

The land looks swollen.

We return the sun to the place the other day.

After flood. Everything about it is sadly red.

You ask

a sinking loon, if it needs to be pulled.

It cries for mother.

It’ll be late.

I remember you want to sit on the top of that oak.

You reach. You’d fall anytime. I know

You’re falling.

I ask you, if you’d like me to catch.

You shut eyes.

A bit too late.

I talk about things for hours. Sing a few poems

to them.

By the end, they wanted to know

if I wanted them to listen. They were ready now.

I lost the power to redo things.

On an empty beach. While two people make love

An orange dog with sunken belly,

vomits in the background.

They loved dogs.  But they couldn’t see.

An hour later they reach it.

The orange of its body goes blue.

Nothing beautiful left. Anymore.

The short woman behind the fat sunflower,

I talked about. Hasn’t lamented

since morning. She touches

everything beside her.

Like touching is the only way left

to realize how unusual the detachment

felt in the sides of her head.

It ached, often.

It ends. All of it.

before time.

Everybody knows her now. ~the end of a day.



The dark of the little ship against the whitest

table in one of the rooms. It has the right sun

falling on it, from the window.

I allow myself to venture back

into the time where I found out-

to love is easier.

Erroneous methods where you went mechanical.

I do not look forward

to talk about sadness.

So I’d talk about the ship.

I never played with it.

It reminds one of the turquoise.

Losing its life. Popular voyages we never

even had time to listen.

A long time that it takes to reach any bay.

The luncheon.

The pretty women

A group of people with bitterness-

dead of dissipation

Men with long


An old head of them.

The prayers for

bounty. The tale of pitcairners of the Norfolk.

Small boats feeling nothing

ahead of the ship.

They think they’re small with no big Islands to head


It’s 3:00.

The afternoon passes like that.

With still beautiful sun

on the ship, kissing it “It is a memory of the big boat that disappeared.

Before time.

My father brought this little ship,

telling me about the many who

did not survive.

They hadn’t known the ship, the people.

Some even jumped off.

They needed to be free.

There were men and women who wanted to live.

But the ship couldn’t.” He kept it on the white table

few months back.

And, it’s been there.

So Ivory.

Beautiful, like

what love sounded and felt.

Priyanshi is a seventeen years old girl from Kashi. She studies humanities. She has been writing for past
two years. She likes to write about anything that involves details, mixed feelings, nature and experiment
in poetry.
Her words haven’t been published before. Hope you’d enjoy reading.
For better connectivity, you can find her on Instagram: @abeautifulturtle_

© Priyanshi