My Hollow Chest

Luxury ethical designer jewelry designed by Stella Simona

 

The rain has to convey a million words of abandoned worth,

To the lonely, desolate soil and my soul, stabbed with their judgmental different ways,

This hole making me feel devoid in my hollow chest cannot be stitched by someone,

For company, I don’t seek for I find satisfaction within my hollow chest.

 

A mist of forlorn fogginess prevails with the breadth of every mortal creature,

I desire these distances as they are symbiotic,

My distance appeals them of a pleasurable world better off,

And my loneliness makes me happy for I never defined it as one.

 

It’s not a disease, but a cure knowing that the only thing that should matter my mind is me,

A cold mist and shock jolts down the numb veins of my body when I’m in the presence of someone,

And all my desire from this fire of their criticism of my ways and beliefs,

Is my isolation from their reality, which by God’s mercy I’m well provided with.

 

I’m engrossed in a novel all day,

I sip my tea and immerse myself in a scent of calm chamomile, as my fingers turn the mottled, dust-colored pages,

I hear the rain pitter-patter on the shelters of unknown homes,

As if they try to imply the silent wishes of the dynasties above,

And I feel my soul can understand their bluntly unheard voices beckoning to me,

As if intended from the creator of my hollow chest.

 

 

I observe their ways and that difference is undoubtedly crystal,

That difference which drugs me of my own unique world and perhaps blinds and binds me,

With the chains of isolation tied to my barren soul devoid.

But I’m happy, I’m at peace, I’m not sad.

I’m different. I’m okay.

From reality, I’m away.

But that’s the desire of my hollow chest,

To isolate and self-heal, and be me.

 

 

Niharika Gursahani is thirteen years old and she is into writing poetry since she was ten years old. Her work is completely amateur and this is the first time She is writing a poem without a rhyme scheme. She blogs at  @theniharikadiaries .  She likes to play the piano which is another passion of hers.

 

 

 

 

Grieving the grief

 

Take a shower, wash off the day. Drink a glass of water. Make the room dark. Lie down and close your eyes. Notice the silence. Notice your heart. Still beating. Still fighting. You made it, after all. You made it, another day. And you can make it one more. You’re doing just fine.

grief,

a shout in the void

where birds chirp and sing

meaningless songs of love

and heaven swings

to it’s highest position in prayers

but nothing is left,

at least it looks like this.

 

my mouth is an empty vessel

with a porous bottom

agony slips swiftly

bleeding the red of anger

from my chapped lips,

grief is too thick to slip

still.

 

my fingers are needles

of my mother’s tailoring toolbox,

I weave threats into poems,

and make sweaters out of pain,

it’s a comforting effort

for a dying soul,

grief can’t be woven,

it’s fibers are delicate.

 

my legs are nocturnal,

I take night walks

talking to the merciless moon,

I count dead bodies on stars.

sometimes the sky smiles at my strength,

sometimes it weeps heavily,

but grief doesn’t leave my eyes,

it’s too frozen to melt.

 

grief,

is a poem burning on my lips,

is an intricate thread scarring my fingers,

is a suffocated tear crawling inside my eyes,

is an aglet that keeps pain from unraveling

is a loss you kept coming back to.

 

grief,

is an epiphany,

too divine to be rejected as the present

and

too earthly to be asked in a prayer.

A mystical poetess with a straightforward style of writing. Her poems
question norms and portray naked truth, sometimes subtle sometimes
clearly evident. Sameera took up writing as a means of escape and never
looked back. She is on a constant look out for lost souls like her own, giving
voice to the unheard and painting pictures of the unseen are her favourite
pastime. She blogs at https://poetryblog320.wordpress.com/

An imprisoned poem

 

study, college, and school image

Butterflies perched upon lashes
The dark in my eyes is engulfing all
Stars in yours
A hiccup stung the memory of you
I knit a bag of lies to carry on
Shapely shoulders
Disproportionate bones break like
Twigs under weightless traumas
My demon is a friend in the reflection
A lover without rules or confrontation
My expectation is the sin I pay for
With bouts of sanity
Loss flows from between my legs
When strange fingers pull me at
The seams
Pain tickles like a misunderstood
Melody
I weave blank fetishes
Devoid of your touch, kiss, sweat, you
You; my prisoner
This poem, my liberation

Nameera Anjum

Nameera Anjum is a nineteen-year-old aspiring poet who loves to pen
down her thoughts and feelings as fearlessly as possible. She believes
that the utmost liberation comes to her through words; writing is a
part of life she wishes to keep intact until the very end. Gothic fiction is
her absolute favorite genre while reading and writing. It comes as no
surprise that Edgar Allan Poe is her ultimate inspiration.

A tree as a protest Art

 

Breathtaking Moody and Mysterious Forest Photography by Dylan Furst #photography #forest #nature #travel #instagram

 

we talk in circles and to anyone
they shout, ‘just get to the point already’
when none of them studied geometry
or physics or Wordsworth or expectation
you expect poetry to greet you like an old friend
so, i will be friendly for the sake of the words we are spilling
you ask me how the research is going
i reply i am learning to code
which is not just a defense mechanism
but also, boxes i bought from target
for all the things that refused to burn
men were never given journals
a sacred place to whisper
secrets into
diaries with little locks and little keys
maybe that is why this is so hard for you
to speak coherently, so the words drip down your face instead
i’ve learned so many new languages
strange to speak this one again
you are not scientist but can you at least appreciate
how unlikely and precious our meeting is
the stars still have tricks up their sleeves
are they trying to make a fool out of me?
of course, i had a plan for this recurrence
but now my axis are so out of sync i forget
you tell me volcanic soil is the most fertile
so then
why did you leave?
//
let’s plant a tree, here at our common ground
it will grow and lay roots deeper than we could
it will protest the distance, the hatred, the resentment
as we hurtle away
one day a young girl will lay under its shade and listen
to our traditional stories and laugh
at how simple a morning could be
let us make sure there will still be trees
let us make sure there will still be air to breathe
let us be absolutely sure in the incomplete
we could dance through life knowing we left a battleground clean
let us welcome flowers and animals to choose this place to retreat
our bitterness will only make the fruit that much more sweet
let us have one last conversation please please, please

Adeline Fecker

Adeline Fecker is a biology student at the University of Oregon Clark Honors College. She has previously been published in the Journal of Wild Culture and Ephemera Literary Magazine. When she is not writing, she can be found dissecting zebrafish brains in the Oregon Institute of Neuroscience or tutoring undergraduate chemistry. Currently, she is working towards her thesis on the influence of sensory conditions on Autism related social behavior and neurophysiology. She lives in Portland, Oregon.

A reincarnation

 

It didn’t burn like my ambitions did,
it didn’t break the way ideals always do,
just vanished, like an angel in the clouds,
with wings made of white nothingness
and the feather it dropped is probably fantasy
as on the vestiges of my loss grew tendrils of
a few insipid dreams, fragile as a tentative faith.
The bliss I search now is not in ignorance,
or despite the despotic logic that refutes
and mocks, it’s not in my dreamy escapades.
With an unfounded resolve, I delve deeper
into the excavations of the lost cities of innocence.
Nothing deters me, not the aches of a lost limb,
of the lost wing that once carried a purpose, of life.
At the end or the beginning of another origin
a reverberating voice speaks, to me,
speaks like me, rising without pain
from the ocean within, piercing the
a stone that is now the rational heart.
Not everything is lost, it echoes
in everything you write and as long as you do,
innocence now reincarnated as hope.

 

He likes to be called as ESP and be known for his blog: https://esprambles.wordpress.com
At most he can say that besides the mundane, he loves to read and write or rather ramble.

Hourglass

 

The Antelucan Hourglass

I keep time with an hourglass

because I prefer the shape.

 

It reminds me of the bottles

with the dark sweet fluidity

of caffeine and the feminine

bodies keeping my attention.

 

This addiction holds me tight,

so that when I lack,

the world is dull

as a vintage centerfold,

soft focused, air brushed

and distant.

 

But once the bubbles

touch my tongue,

I feel like a man

returning home

to a luxurious body

lounging in my bed.

 

Where is the next raven

beauty to touch my lips?

When is my next fix?

 

My world is shaped

by the hourglass.

 

Bartholomew Barker is one of the organizers of Living Poetry, a
collection of poets and poetry readers in the Triangle region of North
Carolina. His first poetry collection, Wednesday Night Regular, written in and about strip clubs, was published in 2013. His second, Milkshakes
and Chilidogs, a chapbook of food inspired poetry was served in 2017.
Born and raised in Ohio, studied in Chicago, he worked in Connecticut
for nearly twenty years before moving to Hillsborough where he makes
money as a computer programmer to fund his poetry habit.
www.bartbarkerpoet.com

 

Live to die or die to live?

 

Jane Birking 1960, behind her Serge Gainsbourg

Rolling the skin deeply

In the waters, rusting my bones

cold moisture seeps the pores

hits spine, undercurrents discharged

pupil widens, nostrils expand

I breathe in the black smoke

hair rise stiffens the nerves

muscles inflamed; cortisol infused

bloodstream rages like rivers in monsoon

myths dissolve in the violet rain

crumpled boats of paper, sink in puddles

the sky is a stone, grey & opaque

prayers bouncing back

no man in the sky, In seas

tiptoed to the edge

of a slippery rooftop

frictionless, I ask

Do I fall & live?

or do I hold on and die?

 

 

Siddharth is an Engineer by passion, Poet by design. Studying aerospace in France, he occasionally finds some time to reflect in a pond or study the pattern of gulls flying in the beach. Dark & twisted life of his is a concoction of melancholy & joy. He doesn’t stare into abyss; he has a flat there. Writing out of passion, Poetry reflects his struggles to overcome depression fuelled by his trauma & harassment. Sprinkled with a self-assumed sense of humor & a self-confessed love for rock music, he has been featured a few times on the front page of Allpoetry.com (weird flex!).