An imprisoned poem

 

study, college, and school image

Butterflies perched upon lashes
The dark in my eyes is engulfing all
Stars in yours
A hiccup stung the memory of you
I knit a bag of lies to carry on
Shapely shoulders
Disproportionate bones break like
Twigs under weightless traumas
My demon is a friend in the reflection
A lover without rules or confrontation
My expectation is the sin I pay for
With bouts of sanity
Loss flows from between my legs
When strange fingers pull me at
The seams
Pain tickles like a misunderstood
Melody
I weave blank fetishes
Devoid of your touch, kiss, sweat, you
You; my prisoner
This poem, my liberation

Nameera Anjum

Nameera Anjum is a nineteen-year-old aspiring poet who loves to pen
down her thoughts and feelings as fearlessly as possible. She believes
that the utmost liberation comes to her through words; writing is a
part of life she wishes to keep intact until the very end. Gothic fiction is
her absolute favorite genre while reading and writing. It comes as no
surprise that Edgar Allan Poe is her ultimate inspiration.

A friend I never Knew

@jouliann

 

A friend I

Never knew,

The body of

Mine in

Mirroring

Form.

 

Sadness as I’ve

Felt,

A torture

Wrought

From the

Twisting

Antics of

False clowns

Marching with

Black balloons

On shadowy

Streets.

 

Something in

A restless

Mirage as

This,

Kept away

From my

Knowledge.

 

Passing through

An inner

Hallway

Gone numb,

A leaky light

Swinging

In

Heedless abandon,

Night oozing in

From

The mind’s fold.

Katherine Robbins Karr

Katherine Robbins Karr grew up in a small sleepy town in Northern NJ where
people don’t dream of becoming artists. She is a promotional model with a candy
cigarette girl company in SF, a rock n roll fashion seller online, a musician/singer in
a duo, and a poet with a degree in Creative Writing from Mills College. Katherine
lives in SF with her partner Haji and dog Aly.

 

 

The Spiral Graveyard

70+ Trendy Photography Kids Sad #photography

 

Sprawling in tiny,
The graveyard behind my house,
Is a spiral graveyard with
Hundreds of tomb stone,
Etched with emotions,
Hidden inside the lunar light.

The tombstone carved
Out of their regret,
Shines in turbulent thunder,
When words fall splattering
On the stones, caressing their hips,
Leading to some past ecstasy.

I have kept every drop off,
Their lust into the coffins,
Hidden behind the broken mirrors
The pieces stinging my translucent skin,
Mending a fragrance
Of some distant memory.

People come and people die
Into my house,
Upfront the graveyard,
Where lilies would bloom
In the center,
A place so untouched,
Where weeds out of their bones,

Never killed those hideous beauties.

Since time immemorial,
The seasons have trespassed my lilies,
Until today, when you plucked them out.

Now from my house,
I can see your large gravestone,
Or would I rather say your center stone?
Where forces of mystical love,
Maxed out into the hollowness
Of this constricted spiral.

My words have failed to,
Nourish your parched nails,
Driven into the coffins
I’ve buried myself you,
Withering in the hollowness
Of our mystical love,
Where lust, ecstasy has never
Run past your eyes,
Where our bodies have
Decayed into one,
Where the ice has
Melted on our lips,
Making our heart frozen into love,
Until the day you plucked the lilies,
Until the day you stole my home.

Now I live in a broken shelter,
Where thunderous clouds of,
Melancholy, rip me inside out
Which scares me beyond fear
Where ground beneath my feet
Is still drenched in blood.

 

Amartya Pattanayak

He is a worshipper of abstract writings. The voices inside him move through shards and pieces of drunken emotions, sober with metaphors. And he hopes to create a shift in perspective in this vivid world.

A reincarnation

 

It didn’t burn like my ambitions did,
it didn’t break the way ideals always do,
just vanished, like an angel in the clouds,
with wings made of white nothingness
and the feather it dropped is probably fantasy
as on the vestiges of my loss grew tendrils of
a few insipid dreams, fragile as a tentative faith.
The bliss I search now is not in ignorance,
or despite the despotic logic that refutes
and mocks, it’s not in my dreamy escapades.
With an unfounded resolve, I delve deeper
into the excavations of the lost cities of innocence.
Nothing deters me, not the aches of a lost limb,
of the lost wing that once carried a purpose, of life.
At the end or the beginning of another origin
a reverberating voice speaks, to me,
speaks like me, rising without pain
from the ocean within, piercing the
a stone that is now the rational heart.
Not everything is lost, it echoes
in everything you write and as long as you do,
innocence now reincarnated as hope.

 

He likes to be called as ESP and be known for his blog: https://esprambles.wordpress.com
At most he can say that besides the mundane, he loves to read and write or rather ramble.

Hourglass

 

The Antelucan Hourglass

I keep time with an hourglass

because I prefer the shape.

 

It reminds me of the bottles

with the dark sweet fluidity

of caffeine and the feminine

bodies keeping my attention.

 

This addiction holds me tight,

so that when I lack,

the world is dull

as a vintage centerfold,

soft focused, air brushed

and distant.

 

But once the bubbles

touch my tongue,

I feel like a man

returning home

to a luxurious body

lounging in my bed.

 

Where is the next raven

beauty to touch my lips?

When is my next fix?

 

My world is shaped

by the hourglass.

 

Bartholomew Barker is one of the organizers of Living Poetry, a
collection of poets and poetry readers in the Triangle region of North
Carolina. His first poetry collection, Wednesday Night Regular, written in and about strip clubs, was published in 2013. His second, Milkshakes
and Chilidogs, a chapbook of food inspired poetry was served in 2017.
Born and raised in Ohio, studied in Chicago, he worked in Connecticut
for nearly twenty years before moving to Hillsborough where he makes
money as a computer programmer to fund his poetry habit.
www.bartbarkerpoet.com

 

Live to die or die to live?

 

Jane Birking 1960, behind her Serge Gainsbourg

Rolling the skin deeply

In the waters, rusting my bones

cold moisture seeps the pores

hits spine, undercurrents discharged

pupil widens, nostrils expand

I breathe in the black smoke

hair rise stiffens the nerves

muscles inflamed; cortisol infused

bloodstream rages like rivers in monsoon

myths dissolve in the violet rain

crumpled boats of paper, sink in puddles

the sky is a stone, grey & opaque

prayers bouncing back

no man in the sky, In seas

tiptoed to the edge

of a slippery rooftop

frictionless, I ask

Do I fall & live?

or do I hold on and die?

 

 

Siddharth is an Engineer by passion, Poet by design. Studying aerospace in France, he occasionally finds some time to reflect in a pond or study the pattern of gulls flying in the beach. Dark & twisted life of his is a concoction of melancholy & joy. He doesn’t stare into abyss; he has a flat there. Writing out of passion, Poetry reflects his struggles to overcome depression fuelled by his trauma & harassment. Sprinkled with a self-assumed sense of humor & a self-confessed love for rock music, he has been featured a few times on the front page of Allpoetry.com (weird flex!).